We have 13 artworks by Heinrich Freudweiler online. We have 1824 paintings online.
The deceased wife appears to her surviving husband, grabs his left hand and points invitingly to the afterlife, up to the light-filled sky; he points to a group of objects that symbolize the duties of life on earth.
Freudweiler's view of the soul is based on the ideas of the Swedish universal scholar and mystic Emanuel Swedenborg (16 88-1772), according to which the soul possesses a spiritual body, around which the earthly body is wrapped like a garment; in death, this body slips off as easily as a shadow, so that the person at first hardly notices that he has died - death and resurrection collide. According to Swedenborg, two spouses who are inwardly united appear in heaven not as two people, but as an androgynous angel.
In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.
Also known as
Allegory on the Death of a Young Wife
Allégorie à la mémoire d’une jeune épouse décédée
Medium
Oil on panel
Dimensions
image: 56 x 41.5 cm
Inventory number
2255
Credit line
Kunsthaus Zürich, 1932
Signature
-
Inscriptions
-
Accession year
1932
Provenance
Heinrich Freudweiler (*1755 Zürich, +1795 Zürich) (Künstler/-in)
Verbleib unbekannt
o.D. – 1932, Frl. Blum, Mulhouse
ab 1932, Zürcher Kunstgesellschaft | Kunsthaus Zürich (Museum), Zürich, Kauf
About the provenance
State of research 01.01.2007
Do you have questions, criticism, suggestions, and further information? Please send us a message to provenienzforschung(at)kunsthaus.ch.
Literature (general)
- Die Meisterwerke, hrsg. von Zürcher Kunstgesellschaft/Christian Klemm, Sammlungskatalog Kunsthaus Zürich, Ostfildern: Hatje Cantz, 2007, S. 92 (ill.).
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 75.
- Leben und Abschied. Zürcher Festspiele [Programmheft], hrsg. von Tonhalle-Gesellschaft/Elmar Weingarten, Zürich, 2011, S. 16.