We have 9 artworks by Max Liebermann online. We have 2361 paintings online.
Lola Lea Leder, née Bernstein (Tarnow/Galicia 1892 - Berlin 1977), was married to the textile merchant David Leder (Jassy/Romania 1888 - London 1947). After the First World War, the Leder family moved from Chemnitz to Berlin. The couple was also portrayed by Lovis Corinth in 1922 (Insel Hombroich Foundation). The eldest son Rudolf was the writer Stephan Hermlin (Chemnitz 1915 - Berlin 1997).
This portrait is the first of several Liebermann painted after Lola Leder (see Matthias Eberle: Max Liebermann 1847-1935. catalogue raisonné of paintings and oil studies, vol. II: 1900-1935 (Munich 1996), nos. 1921/9 and 10, 1922/11-14). A preparatory chalk drawing (auction Sotheby's, London 27.XI.1980, lot 122) and a head study in oil (Matthias Eberle: Max Liebermann 1847-1935. catalogue raisonné of paintings and oil studies, vol. II: 1900-1935 (Munich 1996), no. 1920/9) have survived.
In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.
Also known as
Portrait of Lola Leder
Medium
Oil on cardboard
Dimensions
image: 75 x 50 cm
Inventory number
1949/0018
Credit line
Kunsthaus Zürich, 1949
Signature
bezeichnet oben rechts: M Lieberman 1920
Inscriptions
-
Catalogue raisonné
Eberle II.1920/10
Accession year
1949
Provenance
Max Liebermann (*1847 Berlin, +1935 Berlin) (Künstler/-in)
[Verbleib unbekannt?]
1932 – höchstens bis 1947, David Leder (*1888 Iaşi, +1947 London) (Sammler/-in), Berlin
spätestens ab 1947 – 1949, Lola Leder (*1892, +1977 Berlin) (Sammler/-in), NachlassZKG/KHZ Inventarbuch Slg.
State of research 11.04.2025
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Literature (general)
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 266.
- Matthias Eberle: Max Liebermann 1847-1935. Werkverzeichnis der Gemälde und Ölstudien, Bd. II: 1900-1935, München: Hirmer, 1996, No. 1920/10.