Bodegón

c. 1625

not on display

Francisco López Caro, attributed to1598 Sevilla – 1661 Madrid

Formerly ascribed to Alejandro de Loarte, or even thought to be Italian, stylistic relationships are evident with a bodegón by López Caro, a fellow student of Velázquez at Pacheco (see William B. Jordan/Peter Cherry: Spanish Still Life from Velázquez to Goya (London 1995; = Exhibition Cat. London, National Gallery) p. 101 f., fig. 73). The jug is likely to have come from a Sevillian manufactory (note by Rudolf Schnyder, 1998).In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.

Also known as

Küchenstück Kitchen Scene Bodegón

Medium

Oil on canvas

Dimensions

image: 136 x 169 cm

Inventory number

1962/0020

Credit line

Kunsthaus Zürich, Donated by Ernst Göhner, 1962

Signature

Inscriptions

Accession year

1962

Provenance

Francisco López Caro (*1598 Sevilla, +1661 Madrid) (Künstler/-in)
Verbleib unbekannt
Privatsammlung, Lyon
o.D. – 1962, Julius H. Weitzner (*1896, +1986) (Kunsthändler/-in)
1962, Ernst Göhner (*1900 Zürich, +1971 Risch), Kauf
ab 1962, Zürcher Kunstgesellschaft | Kunsthaus Zürich (Museum), Zürich, Geschenk

About the provenance

State of research 01.01.2007 Do you have questions, criticism, suggestions, and further information? Please send us a message to provenienzforschung(at)kunsthaus.ch.

Literature (general)

- Die Meisterwerke, hrsg. von Zürcher Kunstgesellschaft/Christian Klemm, Sammlungskatalog Kunsthaus Zürich, Ostfildern: Hatje Cantz, 2007, S. 71 (ill.). - Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 117. - La Chronique des Arts, in: Daniel Wildenstein: Gazette des Beaux-Arts, No. 1129, 1963, S. 60.

Object type

painting

Classification

B 1[3] painting 16th to 18th century ITA, FRA and ESP

Keywords