We have 8 artworks by Heinrich Werdmüller online. We have 1824 paintings online.
Conrad Gessner (1764-1826) points with the mouthpiece of his long pipe to an engraving - or drawn design plan - held by the painter Heinrich Wüest (1741-1821), which shows Alexander Trippel's monument to his father Salomon Gessner (1730-1788, see inv. 821) on Zurich's Platzspitz, unveiled in 1793. On the decisive role of the two in the complex development of this monument, see Alexander Trippel (1744-1793) Skulpturen und Zeichnungen (exh.-cat. Schaffhausen 1993) no. 19. Heinrich Freudweiler (1755-1795) is seated on the left side of the chair (cf. his two self-portraits in the Kunsthaus Zürich, inv. 97 and inv. 445).
The dating 1803 is retrospective and contradicts the date of Freudweiler's death; besides, Conrad Gessner was in England from 1796 to 1804.
In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.
Also known as
The Painters Conrad Gessner und Heinrich Freudweiler at Heinrich Wüest's Studio
Medium
Oil on panel
Dimensions
image: 42 x 31 cm
Inventory number
170
Credit line
Kunsthaus Zürich, Keller Collection, 1854
Signature
inscr. b. r.: WM. / 1803. [monogram]
Inscriptions
-
Accession year
1854
Provenance
Heinrich Werdmüller (*1774 Elgg, +1832 Zürich) (Künstler/-in)
[Verbleib unbekannt?]
o.D. – höchstens bis 1829, Johann Caspar Keller zum Mohrenkopf (*1744 Zürich, +1829 Zürich) (Sammler/-in), ZürichKunsthaus Zürich, Sammlungskatalog, 2007, S. 91.
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 91.
About the provenance
State of research 22.05.2025
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Literature (general)
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 91.