We have 1 artwork by Annibale Carracci online. We have 1734 paintings online.
Annibale Carracci, with Caravaggio the most innovative painter at the birth of baroque painting, painted the theme (Matthew, III, 13-17) already in 1585 for S. Gregorio in Bologna, with michelangelesque figures. Of particular interest is the comparison with Domenichino's simultaneously created 'Landscape with the Baptism of Christ' (inv. KS 52) with a similar arrangement of Christ and John, seen from the opposite direction.
An old copy of Carracci's Invention, without the tree on the right, is in the Gemäldegalerie Berlin (oil on canvas, 130 x 97 cm).
In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.
Also known as
Taufe Christi
The Baptism of Christ
Le baptême du Christ
Medium
Oil on copper
Dimensions
image: 52 x 39.5 cm
Inventory number
2004/0010
Credit line
Kunsthaus Zürich, Donated by S. E. Karim Khan, with additional funding by the Holenia Trust in memory of Joseph H. Hirshhorn, 2004
Major Eric A. Knight (*1862, +1944) (Sammler/-in), Wolverly House, Kidderminster
1.12.1944, Christie's London (Auktion), London, Lot 18
Verbleib unbekannt
Christina Foyle (*1911 London, +1999)
Verbleib unbekannt
3.11.2000, Christie's London (Auktion), London, Lot 65
Privatbesitz
2000 – 2004, Karim Khan, Zürich
ab 2004, Zürcher Kunstgesellschaft | Kunsthaus Zürich (Museum), Zürich, Geschenk
Literature (provenance)
About the provenance
State of research 01.01.2007
Do you have questions, criticism, suggestions, and further information? Please send us a message to provenienzforschung(at)kunsthaus.ch.
Literature (general)
- Die Meisterwerke, hrsg. von Zürcher Kunstgesellschaft/Christian Klemm, Sammlungskatalog Kunsthaus Zürich, Ostfildern: Hatje Cantz, 2007, S. 40 (ill.).
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 116.