We have 13 artworks by Auguste Rodin online. We have 556 sculptures online.
In 1889 Rodin received the commission for a monument to Victor Hugo; in one stage of the complex process of creation, Iris and the genius of the 19th century were to float around the poet's head in inspiring fashion. It first appeared in drawings in 1891; in 1894, the reclining figure taken as a starting point was enlarged and in 1897 integrated into the model as Iris. In 1898 it was shown for the first time as a separate sculpture at the Munich Secessions Exhibition. In addition to this large version, Rodin worked out a smaller version with head.
In: Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, Zürcher Kunstgesellschaft (ed.), edited by Christian Klemm, Franziska Lentzsch, Gian Casper Bott et al., Ostfildern, Hatje Cantz Verlag, 2007.
Also known as
Iris, die Botin der Götter
Iris, Messenger of the Gods
Iris, messagère des dieux
Medium
Bronze
Dimensions
object: 84 x 85 x 40 cm
Inventory number
1949/0020
Credit line
Kunsthaus Zürich, 1949
Signature
signature plaque on left sole of foot: A. Rodin
Inscriptions
-
Accession year
1949
Provenance
Auguste Rodin (*1840 Paris, +1917 Meudon) (Künstler/-in)
ab 1949, Zürcher Kunstgesellschaft | Kunsthaus Zürich (Museum), Zürich, Kauf, aus der Kunsthaus-Ausstellung «Metallgüsse aus der Werkstatt von Eugène Rudier Paris», Juni–August 1947, Nr. 344 Metallgüsse aus der Werkstatt von Eugène Rudier, Paris. Ausstellungskatalog, Kunsthaus Zürich, 1947, https://digital.kunsthaus.ch/viewer/image/44370/5/ [Zugriff: 05.01.2022].
Literature (provenance)
About the provenance
State of research 05.01.2022
Do you have questions, criticism, suggestions, and further information? Please send us a message to provenienzforschung(at)kunsthaus.ch.
Literature (general)
- Kunsthaus Zürich. Gesamtkatalog der Gemälde und Skulpturen, hrsg. von Zürcher Kunstgesellschaft et al., Sammlungskatalog, Ostfildern: Hatje Cantz, 2007, S. 146.
- Victor Hugo vu par Rodin, Ausst.-Kat. Musée des Beaux-Arts et d'Archéologie/Besançon, Paris: Somogy, 2002, No. 93.