We have 6 artworks by Amedeo Modigliani online. We have 1654 paintings online.
Sensuality, seduction, intimacy, vulnerability, trust, leisure...all these can be found again and again in Amedeo Modigliani's art. This is also the case in this nude depiction: the reclining woman has her arms folded behind her head and tilts her head to the right to look directly at us. The self-confident gaze is seductive and at the same time serene.
The depiction of the woman, however, does not necessarily suggest an erotic invitation. We have before us not merely a naked woman, but the subtle image of a woman – as she understands herself, shows herself to the artist and as he captures her.
Enclosed by thick black contours, her elongated body dominates the entire scene, the nude stretching from the upper left corner across the diagonal to the lower right edge of the picture. The painter has captured her appearance with hardly any chiaroscuro effects, so that her overdrawn hourglass figure appears almost abstract. The body becomes a geometricised form, hermetic and sculptural, as can be seen in the closed legs. Only the left nipple overcomes the strict contour and testifies to the vulnerability of the body. She trusts us.
Kunsthaus Zürich, 2023
Also known as
Reclining Nude
Medium
Oil on canvas
Dimensions
image: 65.5 x 87 cm
Inventory number
BU 0069
Credit line
Emil Bührle Collection, on long term loan at Kunsthaus Zürich
Signature
inscr. u. r.: Modigliani
Inscriptions
-
Accession year
2021
Provenance
Für Provenienz siehe https://www.buehrle.ch/sammlung / For provenance please see https://www.buehrle.ch/en/collection
Literature (general)
- Die Sammlung Emil Bührle. Geschichte, Gesamtkatalog und 70 Meisterwerke, hrsg. vom Schweizerischen Institut für Kunstwissenschaft (SIK-ISEA), München: Hirmer, 2021, No. 213, S. 266/276 (ill.).
- Sammlung Emil G. Bührle. Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle, hrsg. von Kunsthaus Zürich, Sammlungskatalog Kunsthaus Zürich, Zürich, 1958, No. 281, S. 152 f..