Signature
inscr. b. r.: G. Braque
Provenance
The digitisation of the inventory of the Kunsthaus is an ongoing work in progress. Due to the time-consuming nature of comprehensive scientific research on each individual artwork, we have decided to disclose some works also without provenance information to the public. The progression of provenance research will be continuously updated online. If you have any questions or comments, please contact us at provenanceresearch(at)kunsthaus.ch.
Literature (general)
- Marco Valsecchi/Massimo Carrà: L'opera completa di Braque dalla scomposizione cubista al recupero dell'oggetto 1908–1929, Mailand: Rizzoli Editore, 1971, No. 6 (ill.).
- Stiftung Sammlung Emil G. Bührle, hrsg. von Leopold Reidemeister, Sammlungskatalog, Zürich: Artemis Verlag, 1973, No. 124 (ill.).
- Georges Braque, hrsg. von Henry R. Hope, Ausst.-Kat. The Museum of Modern Art, New York, NY: Simon & Schuster, 1949, S. 16/18 (ill.).
- Maurice Gieure: G. Braque, Paris: Tisné, 1956, ill. No. 3, S. 15/113.
- Jean Leymarie: Braque, Genève: Skira, 1961, S. 17 (ill.).
- Edwin Mullins: Braque, London: Thames and Hudson, 1968, ill. No. 5, S. 17.
- David Butcher: «Le Havre, Anvers, Le Havre, été 1906: Braque et Friesz», in: Le cercle de l'art moderne. Collectionneurs d'avant-garde au Havre (L' estampille, l'objet d'art: Hors série 63), Ausst.-Kat. Musée du Luxembourg, Dijon: Faton, 2012, ill. No. 92, S. 202 f..
- Stiftung Sammlung E. G. Bührle Zürich, Bd. 3 von 3, hrsg. von Lukas Gloor, Sammlungskatalog, Conegliano (Treviso): Linea d'Ombra Libri, 2005, No. 105 (ill.).
not on display